Flaws in the human condition - Written by Austin
My grandson wrote this piece in high school, very well read young man with a beautiful mind yet understanding we as a society of mortals are also flawed.
Austin
AP Literature and Composition
10 March 2012
Flaws in the human
condition
As many
people would say in a modern society, “Nobody is perfect”. This is true because
as
humans, people are always making mistakes on a daily basis,
which is simply a part of growth and
development. Unfortunately, making mistakes is only one of
the handful of flaws in what is known as
“the human condition.” The human condition's flaws are a
popular subject in all forms of media, from
books, to films and television, and even live theatrical
productions. Two prime examples of human
flaws being a major plot point is in both William
Shakespeare's “Hamlet” and Barbara Kingsolver's
“The Poisonwood Bible.” Both literary works discuss dealing
with states of madness and despair, and
show what prolonged madness and despair can lead to, such as
Hamlet dedicating the final moments of
his life to avenging his father's death, and Nathan Price
stubbornly gaining the desire to westernize the
area of Africa he currently resided in, and his selfish
attitude and actions toward his own family.
Another example of flaws in the human condition being a
major plot point is Thomas Hardy's “Tess of
the D'urbervilles” in which the title character is
constantly haunted by the shadows of her dark past,
constantly regretting the actions that she had done, and the
consequences of those actions, such as the
temporary loss of her husband, Angel Clare, and eventually,
her own life at the hands of the British
police force. Each flaw of these characters does eventually
lead to their downfall, and eventually their
demise at the hands of some force.
William
Shakespeare's famed tragedy “Hamlet” is the tale of a young prince, if one
considers
the age of thirty to be a young age, who is effortlessly
attempting to expose his uncle, who has taken
the throne after the
death of the aforementioned protagonist's father, King Hamlet Sr., as the one
who
murdered the previous
king. As the tale progresses, Hamlet is slowly driven into a state of madness,
despair, anxiety, with the occasional happiness every so
often, which is comparable to modern day
bipolar disorder, in
which a person is constantly rotating between emotions both positive and
negative.
As the play progresses onward towards its finale, Hamlet's
bipolarity eventually begins to cloud his
judgment, growing paranoid towards his beloved friends,
Rosencrantz and Guildenstern, eventually
sending them to their deaths, a death that was originally
meant for the young prince himself. His
madness also causes him to gain a sense of lust and sexual
feelings for his former lover, Ophelia, which
causes him to attempt to seduce her, with each attempt
failing like the last. Unfortunately, his madness
and lust leads to his downfall after his triumphant return
to Denmark to confront his past and avenge
his father, if it is the last thing he will do, which
ironically, it was, because he died after avenging his
father's death in an act of quasi-suicide, as he inadvertently
stabs himself with the poisoned rapier,
thus making it similar to an accidental suicide, as the
death is somewhat self inflicted. A similar flaw
along with another is also apparent in Hamlet's contemporary
counterpart, Edgar Sawtelle, who also
faced depression for the death of his own father, which like
Hamlet, was caused by his uncle, Claude.
Another flaw the young boy faced was his inability to speak
or make any sounds, which leads to his
downfall when the barn itself is set ablaze, though unlike
Hamlet and his depression, Edgar was born
with this flaw.
In Barbara
Kingsolver's novel “The Poisonwood Bible”, we are introduced to a family led by
protagonist Nathan Price, a former World War II Soldier
turned priest who lives strictly by his moral
code and what is
known as his “seven core values” which are taught to every soldier in the
military
and have been taught
to soldiers for generations past. The flaw with Bible's protagonist is that he
wants
to make others believe he is brave and powerful, but in
reality, he is a meek, timid coward. This
cowardice drives him into accepting his rigid moral code as
a pastor and wartime veteran, living by a
strict set of morals
and values for himself and his own family. Because of his strict moral code, he
puts
the lives of not only himself, but also his wife and
children, in grave danger, thinking not of them, but
only himself and situations concerning his own life.
Thinking that the world revolves around him, he is
unable to accept the unjust realities of life, unable to
accept his role as merely an actor in the stage
known as the earth, seeing himself as a deity on a level
close to god himself, while also blaming god
for his sinful lust and sexual desires. His lust starts to
build, and rather than venting it on himself, he
diverts his anger to his wife and daughters, blaming them
also for tempting him with their beauty.
Another aspect of his stubborn attitude is that he has a
tendency to retaliate against those who try to
change his ways, inflicting behavior that is identical to
the behavior he inflicts on the women in his life.
Finally,
one more novel that discusses the concept of tragic flaws as a plot device is
the
victorian era novel that is simply known as Thomas Hardy's
“Tess of the D'urbervilles”, in which the
title character is given a multitude of flaws that, like
Hamlet, eventually cause her downfall. At the start
of the novel, Tess is but a simple, pure, beautiful young
woman at the simple age of seventeen years,
but when one encounter with a man known as Angel Clare
occurs, her life goes in an endless spiral of
positive and negative moments. At the end of the second
phase, she loses her purity, either to rape or to
being seduced by her “cousin” Alec d'Uberville, and becomes
“ruined”, which completely changes her
character, and leaves her in an eternal state of guilt,
which is what causes her husband, the
aforementioned Angel Clare, to temporarily leave her. On a
positive note, Tess herself represents the
changing society that occurred in the Victorian era itself,
she represents the women desire for
independence from men. As the novel progresses, she begins
to not be burdened by the flaws she has
acquired, but rather, she has begun to accept them at around
the time Alec returns after Angel leaves.
She begins to accept her past actions and mistakes that she
made years before, as Angel accepts the
young woman back with open arms, joining her in her final
moments of her life before she is executed.
As stated
earlier, in these three excellent literary works, the tragic flaws of the
respective
protagonists are what drives the plot forward, as a majority
of the works deal with the characters' flaws.
In Hamlet, it was the title character's madness comparable
to modern day bipolar disorder. In Tess, it
was her sense of regret towards her malevolent actions,
which she later comes to accept. Finally, in
Poisonwood Bible, it was Nathan's strict morals and selfish
attitude. The flaws in the human condition
is something one not only has to accept, but also embrace
and empower, because every human has a
flaw within them, ranging from a mental disorder like
Hamlet, a past full of regret like Tess, to even a
self-centered attitude, such as with Nathan Price.
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